Diagetic/non - Sound whose source is visible on the screen or whose source is implied to be present by the action of the film: voices of characters.
Hegemony/hegemonic - Ladership or dominance, especially by one state or social group over others.
Ideology - An ideology is a world view, a system of values, attitudes and beliefs which an individual, group or society holds to be true or important
Intetextuality - The shaping of texts' meanings by other texts
Representation - T
he action of speaking or acting on behalf of someone or the state of being so represented
Iconography - The visual images and symbols used in a work of art or the study or interpretation of these
Preferred reading -
Oppositional reading - The audience rejects the message
Archetype - A very typical example of a certain person or thing
Stereotype - A widely held but fixed and oversimplified image or idea of a particular type of person or thing
Verisimilitude - The appearance of being true or real.
High key lighting - Aims to reduce the lighting ratio present in the scene
Low key lighting - Often associated with the dark look of film noir
Contrapuntal sound - Occurs when the music and visual elements play against each other, and are in contrast.
Ambient sound - the background sounds which are present in a scene or location
Foley - relating to or concerned with the addition of recorded sound effects after the shooting of a film.
Dramtatic irony - Dramatic irony occurs when the audience knows something that the characters don’t
Ellipsis - The removal or shortening of elements of a narrative to speed up the action
Prop's character theory - After studying 100 fariytales, Vladimir Propp developed a character theory for studying media texts and productions. Prop discovered that all characters fall into 7 broard character types, all of which can be found in a variety of different media.
Todorov's narrative theory - Stes that most story's or plot lines follow the same pattern or path
Restricted Narrative - The characters and the audience learn story information at the same time.
Omniscient narrative - The audience knows more, sees more, hears, more than all the characters
Linear narrative -
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